Poetry
“Canada” By Sir Charles G.D. Roberts

Canada
Charles G.D. Roberts
O Child of Nations, giant-limbed,
Who stand’st among the nations now
Unheeded, unadored, unhymned,
With unanointed brow,—
How long the ignoble sloth, how long
The trust in greatness not thine own?
Surely the lion’s brood is strong
To front the world alone!
How long the indolence, ere thou dare
Achieve thy destiny, seize thy fame,—
Ere our proud eyes behold thee bear
A nation’s franchise, nation’s name?
The Saxon force, the Celtic fire,
These are thy manhood’s heritage!
Why rest with babes and slaves? Seek higher
The place of race and age.
I see to-night through cloud-rift’s rent
The glimmering of a fairer dawn;
The flame of thy brave youth unspent
Yet guards thy hope undrawn.
O fear not in the days to come,
What storm and shock may yet be thine!
Stand fast as now, thou naked sum
Of elemental force divine.
Sir Charles G.D. Roberts: The Father of Canadian Literature
Sir Charles G.D. Roberts (1860–1943) stands as a towering figure in Canadian literary history, often hailed as “the father of Canadian literature.” A poet, novelist, essayist, and pioneer of wildlife fiction, Roberts played a pivotal role in shaping Canada’s literary identity. His evocative poetry, rich with imagery of the nation’s landscapes, and his groundbreaking nature stories captivated readers and helped define Canadian literature on the world stage.
A Literary Pioneer
Born in New Brunswick, Roberts was a central figure among the Confederation Poets, a group of writers who sought to establish a distinct Canadian literary voice. His early poetry collections, Orion and Other Poems (1880) and Songs of the Common Day (1893), celebrated the vast wilderness and rural life of Canada. His poems, deeply rooted in the landscape of his native province, explored themes of place, identity, and the human condition, often employing traditional poetic forms and techniques.
Beyond poetry, Roberts was a trailblazer in wildlife fiction, a genre that portrayed animals with scientific accuracy rather than anthropomorphism. His best-selling collection, The Kindred of the Wild (1902), set a new standard for nature writing and influenced generations of authors, including Ernest Thompson Seton and Jack London. His ability to merge literary craftsmanship with ecological insight made his works both artistically and scientifically significant.
A Lasting Legacy
Roberts’ contributions extended beyond his own writing. As an editor, mentor, and advocate, he played a crucial role in fostering a national literary tradition. His impact was formally recognized in 1927 when he was knighted by King George V, making him one of the few Canadian writers to receive such an honor.
Today, his influence endures through the Charles G.D. Roberts Award, which celebrates excellence in Canadian literature. His works remain a testament to the power of storytelling in shaping cultural identity, reminding readers of the deep connection between nature, national consciousness, and the written word.
The Maple
O emblem of the land I love,
The Maple leaf forever!
The Maple leaf around the world
Proclaims the glorious name
Of Canada, my Canada,
To everlasting fame.
Though other trees as fair as thou
Their myriad arms outspread,
And other flowers as bright as thine
Their beauteous petals shed,
Where the noble Maple grows,
There stands a land of truth,
And honor guards the sacred sod
Of freedom and of youth.
To thee shall wealth and fame be brought,
For thee shall hearts be glad,
And loyal sons and daughters sing,
“Long live the Maple leaf!”
And proudly may the banner wave
Above this fair domain,
To guard the glorious heritage
Our fathers won in pain.
the article is written by HeeSun
HeeSun, a poet and storybook writer, illuminates the world with her beautiful poems, songs, and stories, bringing hope and inspiration to those fortunate enough to experience her work. Through her global perspective and commitment to creative expression, HeeSun’s contributions extend beyond borders, weaving a beautiful tapestry of artistry that fosters connection and understanding. She is a member of both the International PEN Club and the Arts and Letters Club of Toronto.